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Search for "Ung, Chinary, 1942- ". Search results: ung : 34, chinary : 22, 1942 : 98. Results 1-6 of 6. Search took 0.059 seconds
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1. radiOM.org - Other Minds Festival OM 14: Panel Discussion 3 [5.102% Popularity: 0.00000]
Other Minds Festival: OM 14: Panel Discussion 3 View Item Type: Video Duration: 42 mins Event Type: Lecture / Panel Discussion Program Origin: Other Minds Additional Media Files (click to view) The third and final concert of OM 14 was held on March 7, 2009. The program began with Other Minds Executive and Artistic Director, Charles Amirkhanian, moderating a panel discussion with the evening’s featured composers and performers John Schneider, Michael Harrison, Chinary Ung, and Chico Mello. Different tuning systems were discussed with Schneider and Harrison demonstrating two of them while also making the prediction that future composers will be quite comfortable working with a variety of tunings. Ung then describes his interest in imperfection and Mello describes how he mixes Brazilian pop melodies with more avant-garde compositional devices such as chance operations and various vocal techniques, including singing backwards. To see the full concert program guide go to: http://www.otherminds.org/shtml/OM14progra...
2. radiOM.org - Other Minds Festival OM 14: Concert 3 [5.040% Popularity: 0.00000]
Other Minds Festival: OM 14: Concert 3 View Item Type: Video Duration: 128 mins Event Type: Music Program Origin: Other Minds Additional Media Files (click to view) The third and final concert of OM 14 was held on March 7, 2009. After brief introductions and announcements, the concert begins with: Spiral Xi: Mother and Child Each of Chinary Ung's “Spiral” pieces focuses on a single idea that is re-imagined and re-contextualized over the course of the work. This work investigates the notion of musicality as something beyond instrumental practice. Rather, the use of vocal sounds (singing, humming, chanting, and whistling) is equally as important as are the variety of string techniques that form the rich vocabulary of Ung’s string writing. The balance between voice and viola shifts throughout the work, and the combination of these two dimensions produces a world that is more than the sum of its parts. - Adam Greene Listening to Lu Tzu-Hsün Play the Ch’in on a Moonlit Night It turns out that Harry Partch’s Adapte...
3. radiOM.org - Other Minds Festival OM 14: Concert 1 [5.026% Popularity: 0.00000]
Other Minds Festival: OM 14: Concert 1 View Item Type: Video Duration: 124 mins Event Type: Music Program Origin: Other Minds Additional Media Files (click to view) The first concert of OM 14 was held on March 5, 2009, and included: Spiral X: In Memoriam Genocide is not an easy theme to acknowledge in music, and yet for Chinary Ung, it finally became a necessity. in 2007 he decided to compose a tenth work in his “Spiral” series that would commemorate the Cambodian holocaust perpetrated by the Khmer Rouge. Among the 1.7 million killed were half of his family members. The players intone nonsensical phonemes and sing in raw village style, very explicitly scored. Ung is not interested in trained classical voices and urges his players not to try to imitate them. In addition, various members are asked to sing and whistle, often while playing completely different material at the same time. “Spiral X” was co-commissioned by the Del Sol Performing Arts Organization and the Serge Koussevitzky Music Foundation. -Charles...
4. radiOM.org - Other Minds Festival OM 14: Panel Discussion & Concert 3 [4.071% Popularity: 0.00000]
Other Minds Festival: OM 14: Panel Discussion & Concert 3 Listen Item Type: Sound Recording Duration: 153 min Event Type: Lecture / Panel Discussion Program Origin: Other Minds Additional Media Files (click to view) The third and final concert of OM 14 was held on March 7, 2009. The program began with Other Minds Executive and Artistic Director, Charles Amirkhanian, moderating a panel discussion with the evening’s featured composers and performers John Schneider, Michael Harrison, Chinary Ung, and Chico Mello. Different tuning systems were discussed with Schneider and Harrison demonstrating two of them while also making the prediction that future composers will be quite comfortable working with a variety of tunings. Ung then describes his interest in imperfection and Mello describes how he mixes Brazilian pop melodies with more avant-garde compositional devices such as chance operations and various vocal techniques, including singing backwards. Spiral Xi: Mother and Child Each of Chinary Ung's “Spiral” pieces...
5. radiOM.org - Other Minds Festival OM 14: Panel Discussion & Concert 1 [2.829% Popularity: 0.00000]
Other Minds Festival: OM 14: Panel Discussion & Concert 1 Listen Item Type: Sound Recording Duration: 155 min Event Type: Lecture / Panel Discussion Program Origin: Other Minds Additional Media Files (click to view) OM 14 got started with Other Minds Executive and Artistic Director, Charles Amirkhanian, moderating a panel discussion with the Bent Sørensen, Chinary Ung, and Ben Johnston, whose works were to be heard during the first concert, held on March 5, 2009. Sørensen discusses how he has incorporated aspects from one of his operas into two of his more recent compositions as well as commenting on the challenges of writing for a piano trio. Ung touches upon his interest in finding the musical equivalent of the Buddhist idea of emptiness being filled by compassion, while Johnston reminisces about Harry Partch, his mentor in microtonal music. Spiral X: In Memoriam Genocide is not an easy theme to acknowledge in music, and yet for Chinary Ung, it finally became a necessity. in 2007 he decided to compose a ten...
6. radiOM.org - Other Minds Festival OM 14: Panel Discussion 1 [2.655% Popularity: 0.00000]
Other Minds Festival: OM 14: Panel Discussion 1 View Item Type: Video Duration: 40 min Event Type: Lecture / Panel Discussion Program Origin: Other Minds Additional Media Files (click to view) OM 14 got started with Other Minds Executive and Artistic Director, Charles Amirkhanian, moderating a panel discussion with Bent Sørensen, Chinary Ung, and Ben Johnston, whose works were to be heard during the first concert, held on March 5, 2009. Sørensen discusses how he has incorporated aspects from one of his operas into two of his more recent compositions as well as commenting on the challenges of writing for a piano trio. Ung touches upon his interest in finding the musical equivalent of the Buddhist idea of emptiness being filled by compassion, while Johnston reminisces about Harry Partch, his mentor in microtonal music. To see the full concert program guide go to: http://www.otherminds.org/shtml/OM14program.shtml Genres: New Music ; 20th Century Classical Subject: Sørensen, Bent, 1958- ; Ung, Chinary, 1942- ; Jo...
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